The Contemporary Expression of Chinese Dai Ethnic Dance

Abstract

Objective: This paper aims to explore the inheritance and innovation of Dai dance in the context of the new era, particularly through the analysis of its performance practices in specific spatiotemporal fields using Pierre Bourdieu's field theory. The study investigates how Dai dance navigates the challenges it faces in the modern cultural context.
Method: The paper applies Pierre Bourdieu’s field theory as the analytical framework, employing literature review and cultural analysis to systematically explore the cultural characteristics, artistic expression, and construction of cultural identity within Dai dance. Furthermore, the study considers the changes in audience demand, highlighting how the dance balances traditional techniques with contemporary innovation.
Results: The study finds that Dai dance faces multiple challenges in the new cultural environment, including a gap in the transmission of traditional skills and the diversification of modern audience demands. However, Dai dance has managed to find a balance between tradition and innovation, preserving its cultural essence while revitalizing through new performance forms and stage designs. This balance has allowed Dai dance to thrive in the process of modernization and gain broader recognition in the context of globalization.
Conclusions: The protection and development of Dai dance should focus on preserving traditional skills while introducing modern innovation. Through the promotion of the cultural industry, the global dissemination of Dai dance can be enhanced, fostering greater recognition and identity on the global stage, and contributing to the strengthening of national confidence and cultural awareness.